David Henry Hwang Writers Institute

Named after Tony Award-winning playwright David Henry Hwang (FOBThe Dance and the Railroad, M. Butterfly), the David Henry Hwang Writers Institute is the most active Asian Pacific American playwright development program in the country. Offering a series of writing classes designed to foster new work for the stage, the Institute is a nationally recognized force in the creation of plays that embrace the voice of multi-ethnic America and especially the Asian Pacific American experience.

The David Henry Hwang Writers Institute also sponsors a New Works Festival every year that highlights new works in progress by Institute writers.

David-Henry-Hwang-Award-1

Playwright David Henry Hwang

 

Literary Programs

800x800_NATHAN RAMOS

“If we do not see ourselves represented, if our stories are not a mirror as to which we see our reflection, then we have a duty to be the storytellers and assert ourselves into the cultural dialogue. Thank you, East West Players, for giving minority voices the opportunity to be heard, and for instilling in me a new message that a unique voice indeed can tell a universal story.” – Nathan Ramos, “2042: See Change” Playwriting Competition Winner (2015)

East West Players has an open play-submission policy. Please be aware that we are an Asian American theatre, and most of the new works we produce revolve around Asian Pacific American (as opposed to Asian) characters and/or themes … read more

In conjunction with the Japanese American National Museum/National Center for the Preservation of Democracy, the Writers Gallery offers public readings of works that are being considered for the mainstage at East West Players. To become involved with the EWP Writer’s Gallery, please contact the Literary Department at literary@eastwestplayers.org or call (213) 625-7000.

East West Players offers playwriting competitions to encourage new works to be developed that explore the Asian American experience. Competitions occur approximately every three to six years and offer a cash prize as well as consideration for production on the East West Players mainstage. Please refer any questions or comments about upcoming playwriting competitions to the Literary Department at literary@eastwestplayers.org or call (213) 625-7000.

Work

Instructors have included playwrights such as Doris Baizley, Prince Gomolvilas, Amy Hill, Kelly Stuart, Alice Tuan, and Brian Nelson. Guest lecturers have included playwrights such as Philip Kan Gotanda, Wakako Yamauchi, Chay Yew, and David Henry Hwang. One-act and full-length plays of all genres are created by writers in the Institute.

Countless works by Institute alumni have been read, developed, and produced by theatres around the country, and EWP writers have gone on to win many awards and fellowships after their time at the David Henry Hwang Writers Institute. Click here for a list of some recent highlights of the Institute.

Faculty

Learn more about our instructors. 

 

100x151_prince_gomolvilas

Prince Gomolvilas’s plays include Big Hunk o’ Burnin’ LoveThe Theory of Everything, and the stage adaptation of the Scott Heim novel, Mysterious Skin, all of which have been produced by East West Players. The Theory of Everything won the PEN Center USA Literary Award for Drama, and was published by Dramatic Publishing. His work has been staged across the United States, as well as in Canada, the United Kingdom, Singapore, and Thailand. His new play, The Brothers Paranormal, will receive its world premiere at Pan Asian Repertory Theatre in New York City in 2019, followed by a co-production between Penumbra Theatre and Theatre Mu in Saint Paul, Minnesota. He has received new-play commissions from Geva Theatre Center and South Coast Repertory, as well as from the education departments at the Alley Theatre and TheatreWorks Silicon Valley. He received his BA in Film and MFA in Playwriting from San Francisco State University. He is the former Associate Director of the multidisciplinary Master of Professional Writing Program at the University of Southern California, where he was also an Assistant Professor in Writing. www.princegomolvilas.com

Alice Tuan is best known for Ajax (por nobody), which premiered at The Flea Theater in New York City, toured at the Melbourne Fringe, and was produced at Toronto’s SummerWorks Festival. Her other plays include Hit (The Los Angeles Theatre Center), BATCH (Humana), Last of the Suns (Berkeley Repertory Theatre, Ma-Yi Theater Company), Roaring Girle (The Foundry Theatre), Ikebana (World Premiere at East West Players; Taper, Too; Dramalogue Award), and Coastline (Serious Play!, Edinburgh Fringe Festival). Four of these plays are archived in the Billy Rose Collection of the New York Public Library. She is currently commissioned by Yale Rep/Binger Centre for New Theater.

Doris Baizley, playwright, lives in Los Angeles where she teaches at Loyola Marymount University. She was a founding member of LA Theater Works, resident playwright for the Mark Taper Forum’s ITP company for young audiences and dramaturg for its Other Voices Project for theater artists with disabilities. Published  include MRS. CALIFORNIA, SHILOH RULES, A CHRISTMAS CAROL, and SEX STING, developed and produced by many US  theaters, including the Mark Taper Forum, ACT Seattle, Salt Lake Acting Company, and the Alabama Shakespeare Festival. Movies UNTIL SHE TALKS and LAND OF LITTLE RAIN were on PBS’s American Playhouse.  She is currently at work on SISTERS OF PEACE, a new play for The History Theatre in St. Paul MN to open in March 2019.

 

 

Vincent Murphy was an artistic producing director of three theaters with a professional career spanning four decades of collaboration on more than 200 productions in the United States, Canada, South America, and Europe. As a director, playwright, actor, designer, choreographer, and artistic director, he has garnered more than 40 major awards, working at several leading regional theaters in the United States, including The American Repertory Theatre, The Alliance Theatre, The Sacramento Theater Company, and The Actors Theatre of Louisville. Murphy has devoted much of his career to championing the development of new plays. His groundbreaking book on adaptation, PAGE TO STAGE, was published by the University of Michigan Press in 2013.

 

 

 

Scholarships

The David Henry Hwang Writer’s Institute provides a limited number of scholarships. For more information about the application process, please contact the Literary Department at literary@eastwestplayers.org or call (213) 625-7000.

Our Classes

 

Join the most active Asian Pacific American playwright development program in the country, which has nurtured works read and produced at theaters nationwide. Classes meet in Downtown Los Angeles.

 

 

You can find the current class schedule offered by the David Henry Hwang Writers Institute below.

The Process of Playwriting: Turning an Idea into a Play
Instruction with Doris Baizley
Dates: September 22 – November 17, 2018
Saturdays from 10AM – 2PM
Fee: $450 (ACTS members receive $25 off)
Location: East West Players, 120 Judge John Aiso St, Los Angeles, CA 90012

This 10-week workshop is designed to help new and experienced writers develop an idea, character or story into a script for the stage. Each 4-hour session includes: a warm-up writing exercise, reading and discussion of works in progress, and suggested readings dramatic literature to inspire writers with their work. For this class we accept scripts in progress as well as applications from those with an idea, random scene, monologue, etc. which you would like to turn into a play over the span of the workshop.

Limited to 12 students. The workshop is open to all levels of writers – anyone who has an idea for or a start on a play.

To apply for this course, please email literary@eastwestplayers.org expressing your interest and by answering the following questions.  

  1. 2-3 sentences of what idea, piece, etc you would like to develop in the course.  
  2. If its a work in progress, any scenes or pages you have already, you may also provide a synopsis of no more than one page.  If all you have is an idea, any links to research or inspiration for the work you have is sufficient.
  3. Would this be your first work as a playwright?

Application fees & scholarships/work-study:

Fifty percent (50%) of the class fees are required to reserve a spot in the course (if paying online, only the full amount is accepted). The balance is due the first class. Limited scholarships/work-study opportunities are available. To set up the 2 payments or inquire about scholarships/work-study, please email literary@eastwestplayers.org. No refunds once the class has started. You may cancel up to 3 days before the class starts.
No refunds once the class has started. You may cancel up to 3 days before the class starts. Questions? Email literary@eastwestplayers.org