David Henry Hwang Writers Institute

Named after Tony Award-winning playwright David Henry Hwang (FOBThe Dance and the Railroad, M. Butterfly), the David Henry Hwang Writers Institute is the most active Asian Pacific American playwright development program in the country. Offering a series of writing classes designed to foster new work for the stage, the Institute is a nationally recognized force in the creation of plays that embrace the voice of multi-ethnic America and especially the Asian Pacific American experience.

The David Henry Hwang Writers Institute also sponsors a New Works Festival every year that highlights new works in progress by Institute writers.

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Playwright David Henry Hwang

 

Literary Programs

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“If we do not see ourselves represented, if our stories are not a mirror as to which we see our reflection, then we have a duty to be the storytellers and assert ourselves into the cultural dialogue. Thank you, East West Players, for giving minority voices the opportunity to be heard, and for instilling in me a new message that a unique voice indeed can tell a universal story.” – Nathan Ramos, “2042: See Change” Playwriting Competition Winner (2015)

East West Players has an open play-submission policy. Please be aware that we are an Asian American theatre, and most of the new works we produce revolve around Asian Pacific American (as opposed to Asian) characters and/or themes … read more

In conjunction with the Japanese American National Museum/National Center for the Preservation of Democracy, the Writers Gallery offers public readings of works that are being considered for the mainstage at East West Players. To become involved with the EWP Writer’s Gallery, please contact the Literary Department at literary@eastwestplayers.org or call (213) 625-7000.

East West Players offers playwriting competitions to encourage new works to be developed that explore the Asian American experience. Competitions occur approximately every three to six years and offer a cash prize as well as consideration for production on the East West Players mainstage. Please refer any questions or comments about upcoming playwriting competitions to the Literary Department at literary@eastwestplayers.org or call (213) 625-7000.

Work

Instructors have included playwrights such as Doris Baizley, Prince Gomolvilas, Amy Hill, Kelly Stuart, Alice Tuan, and Brian Nelson. Guest lecturers have included playwrights such as Philip Kan Gotanda, Wakako Yamauchi, Chay Yew, and David Henry Hwang. One-act and full-length plays of all genres are created by writers in the Institute.

Countless works by Institute alumni have been read, developed, and produced by theatres around the country, and EWP writers have gone on to win many awards and fellowships after their time at the David Henry Hwang Writers Institute. Click here for a list of some recent highlights of the Institute.

Faculty

Learn more about our instructors. 

 

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Prince Gomolvilas’s plays include Big Hunk o’ Burnin’ LoveThe Theory of Everything, and the stage adaptation of the Scott Heim novel, Mysterious Skin, all of which have been produced by East West Players. The Theory of Everything won the PEN Center USA Literary Award for Drama, and was published by Dramatic Publishing. His work has been staged across the United States, as well as in Canada, the United Kingdom, Singapore, and Thailand. His new play, The Brothers Paranormal, will receive its world premiere at Pan Asian Repertory Theatre in New York City in 2019, followed by a co-production between Penumbra Theatre and Theatre Mu in Saint Paul, Minnesota. He has received new-play commissions from Geva Theatre Center and South Coast Repertory, as well as from the education departments at the Alley Theatre and TheatreWorks Silicon Valley. He received his BA in Film and MFA in Playwriting from San Francisco State University. He is the former Associate Director of the multidisciplinary Master of Professional Writing Program at the University of Southern California, where he was also an Assistant Professor in Writing. www.princegomolvilas.com

Alice Tuan is best known for Ajax (por nobody), which premiered at The Flea Theater in New York City, toured at the Melbourne Fringe, and was produced at Toronto’s SummerWorks Festival. Her other plays include Hit (The Los Angeles Theatre Center), BATCH (Humana), Last of the Suns (Berkeley Repertory Theatre, Ma-Yi Theater Company), Roaring Girle (The Foundry Theatre), Ikebana (World Premiere at East West Players; Taper, Too; Dramalogue Award), and Coastline (Serious Play!, Edinburgh Fringe Festival). Four of these plays are archived in the Billy Rose Collection of the New York Public Library. She is currently commissioned by Yale Rep/Binger Centre for New Theater.

Doris Baizley, playwright, lives in Los Angeles where she teaches at Loyola Marymount University. She was a founding member of LA Theater Works, resident playwright for the Mark Taper Forum’s ITP company for young audiences and dramaturg for its Other Voices Project for theater artists with disabilities. Published  include MRS. CALIFORNIA, SHILOH RULES, A CHRISTMAS CAROL, and SEX STING, developed and produced by many US  theaters, including the Mark Taper Forum, ACT Seattle, Salt Lake Acting Company, and the Alabama Shakespeare Festival. Movies UNTIL SHE TALKS and LAND OF LITTLE RAIN were on PBS’s American Playhouse.  She is currently at work on SISTERS OF PEACE, a new play for The History Theatre in St. Paul MN to open in March 2019.

 

 

Vincent Murphy was an artistic producing director of three theaters with a professional career spanning four decades of collaboration on more than 200 productions in the United States, Canada, South America, and Europe. As a director, playwright, actor, designer, choreographer, and artistic director, he has garnered more than 40 major awards, working at several leading regional theaters in the United States, including The American Repertory Theatre, The Alliance Theatre, The Sacramento Theater Company, and The Actors Theatre of Louisville. Murphy has devoted much of his career to championing the development of new plays. His groundbreaking book on adaptation, PAGE TO STAGE, was published by the University of Michigan Press in 2013.

 

 

 

Scholarships

The David Henry Hwang Writer’s Institute provides a limited number of scholarships. For more information about the application process, please contact the Literary Department at literary@eastwestplayers.org or call (213) 625-7000.

Our Classes

Join the most active Asian Pacific American playwright development program in the country, which has nurtured works read and produced at theaters nationwide. Classes meet in Downtown Los Angeles.

You can find the current class schedule offered by the David Henry Hwang Writers Institute below.

CLASS DETAILS

Writing a Television Pilot: From Concept to First Draft with Teresa Huang

Dates: August 14 – October 16, 2019 (No class September 4 & September 18)

Wednesdays from 7PM-10PM

Fee: $300

Location: 1210 E 28th Street, Los Angeles, CA 90011

The world is experiencing a golden age of television, with TV series attracting millions of eyes and capturing our hearts and attention more than ever before.  TV is also making huge strides in representation and inclusion, providing opportunities for diverse stories to be told in settings and situations never before seen. Writers have permission like never before to tell authentic stories from their own experience and introduce audiences to new worlds and characters.

This eight-week class is for new to intermediate writers who are interested in writing a half-hour or hour-long original television pilot script.  Students will learn the fundamentals of developing a series concept with a strong story engine, creating a world with a specific tone and compelling characters, the basics of pilot story structure, and begin writing their original pilot script.

Maximum of 10 students.

TERESA HUANG BIO

Teresa Huang was raised to be a doctor but born to be an artist.  A genuine MIT graduate, she gave up problem sets and thermodynamics to become a writer, actor, and producer. Her parents are still scratching their heads.  Teresa created and developed the one-hour drama THE BIG KAHUNA with CBS Television Studios and her original pilot CHILDREN OF EDEN was a Finalist in the Script Pipeline TV Writing Competition.  Teresa is a graduate of the CBS Writers Mentoring Program, the CAPE New Writers Fellowship, and was named a WGA TV Writer Access Project honoree.  She was most recently a Staff Writer on SEAL TEAM on CBS.

ENROLLMENT INSTRUCTIONS

To enroll in the course please email literary@eastwestplayers.org with the following information:

1. Overview of your experience with writing and/or writing for television.
2. Brief description of the TV series concept(s) you’d like to develop in class.